Growing up in a family with no artistic background - their father was a businessman in Nanjing and their mother was a stay-at-home mother - the four brothers were mad about painting and shadow puppetry when they were boys, with American cartoon series like Popeye the Sailor Man and Betty Boop being the backdrop of their childhood. To talk about the beginnings of Chinese animation is to talk about the life stories of the Wan brothers - Chaochen 超塵, Dihuan 滌寰, Guchan 古蟾, and Laiming 籁鸣. The Wan brothers: Purveyors of early animation To understand the current challenges facing Chinese animators, it is critical to recognize the history of how a once-prosperous industry fell behind its American, European, and Japanese counterparts and strived to regain its footing with radical adjustments. Nearly 60 years after the release of Havoc in Heaven, the Chinese animation industry is now struggling to generate revenues at home while trying to expand its presence in the global marketplace.
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